The most recent commute audiobook was
The Starless Sea by Erin Morgenstern, of
The Night Circus fame (although admittedly I have not read that one yet). This is a fantasy novel about Zachary, a young man swept into the drama of a secret underground society and the mysterious figures who surround it.
I finished this book on Sunday morning, catching the last 7 minutes of a whopping 19-hour runtime over breakfast, and since then I've settled into a relative disappointment. On paper, this book has so many things that should make it an ace in the hole for me: Book lovers! Cats! Secret magical societies! Queer characters! Women who are something Other taking control of their destinies! And yet, overall, this book just did not land for me.
As is a risk, I think, with all stories that are about the power of stories, The Starless Sea comes off a little pretentious and self-important. It is a book lauding the unmatched importance of books. I felt aware at various points throughout the book of how hard it was trying to appeal to people like me, who would enjoy the idea of a dark-paneled underground room with endless books and an on-demand kitchen, and this sense of pandering did take away from it at times.
However, it also does some interesting things with regards to what it is like to be the person in a story (such as the fate of Eleanor and Simon, once their part in the story is done) as well as the risks of valuing preservation over change and growth. Without giving too much away, there is a secret society in decline, and a woman so determined to prevent its downfall that she ends up causing significant harm to the organization she's trying to save because she is unwilling to accept that an end comes for all things. I enjoyed this theme and I felt like it was echoed well throughout the story, and in many ways it's easy to sympathize with her ultimate goals, if not her methods.
I also enjoyed the attitude the book takes towards its protagonist, Zachary. Not too much of a spoiler, but Zachary is confronted with a magical door into this secret society when he's about 11. But he doesn't open it. Years and years later, when Zachary is 24, is when his role in this society begins. While I adored those kinds of child isekai stories as a child myself, it was fun to see a story about a child who didn't quite dare answer the call at the time, but still got his chance for an adventure later.
The book also really captures Zachary's sense of having missed out. By the time he arrives, the secret society is essentially on its deathbed, and while Zachary enjoys his exploration of it, several times we catch him thinking longingly of what it would have been like to be a part of things at the height of the society's relevance and power. Nevertheless, Zachary is there at a key time, and he understands that by the end.
On the whole, the book is frustratingly short on details. I don't consider myself someone who needs every riddle solved and every question answered to enjoy a story (in fact, a bit of lingering mystery can really make the tale!), but when I hit 75% completion on this lengthy audiobook and still had no real idea what the purpose of the secret society at its core was, I found myself annoyed. It began to feel that Morgenstern had no answers, and was keeping things vague and whimsical to cover up a lack of depth. There is value, particularly in this kind of story where the magic is ill-defined and fate plays a present if unclear role, in not laying things out too plainly. It leaves room for imagination, it keeps things a little mysterious and exciting. But at some point, we need enough answers to know why we should care about these things, and the presence of several characters who could have given Zachary answers but never did felt like they were being kept from the readers.
Morgenstern's prose was enjoyable, and both Zachary and deuterogonist Dorian were decent characters (no one can stop me form envisioning Dragon Age's middle-aged Dorian Pavus, side shaves and all, when thinking about Dorian in this story). I will also give The Starless Sea a shout-out for including video games explicitly in its conception of story-telling (Zachary begins the "real" start of the book as a graduate student studying games with an interest in branching narratives).
Morgenstern does a solid job of weaving together the various parts of the story which start out feeling quite disparate, though as noted, greater clarity would have improved things. It was fun to see how seemingly irrelevant things eventually fell into place. However, themes and descriptions at times felt circular, particularly given that the plot feels stalled for large portions of the story. It's often unclear what Zachary is doing here, besides hanging out.
Perhaps owing to the absence of clarity about the point of these goings-on, the story rarely grabbed me. I liked it and I was curious about what happened next, but I was almost never truly gripped. It was never the kind of book I'd stay up late for. I also was not a huge fan of Kat's sections of the book. To have made it through so much of this audiobook only to have the long-awaited climax repeatedly interrupted with Kat's diary was driving me crazy by the final story segments. She gave us some interesting perspective from the "real" world, but the timing of it was incredibly frustrating.
I certainly don't regret the time I spent with The Starless Sea, and I was pleased with the final scenes for Zachary and Dorian, but it's not something I'll ever read again, and it makes me a little wary of The Night Circus, which is loosely on my TBR and has received significant praise. Maybe this one was just not quite my cup of tea. I'll still give Morgenstern another chance though; maybe a shorter book of hers will be more focused.
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